Basically you can make a short High Definition DVD and burn it to a standard DVD-R. This works because it functions based on format and file structure, the disc is just the storage medium - so in simplest terms, if the play back device supports the storage medium and you have the correct file structure you’ll get a functioning disc. Of course you’re limited to 4.7GB over the 25GB or even 50GB of Blu-ray, but you can do it. I think Jim may have actually written a tutorial on how to do this for HD DVD in the past - maybe we’ll swing something together for Blu-ray as well.

Lots of good insight son the SAG/AFTRA Balance

My first post was a fraud… that clip was faked with slow acting, AE’s timewarp filter, compositing and particles in AE. 

The idea popped into my head to post it with that story, and I couldn’t resist. 

The phantom hd camera has been my wet dream lately, so I thought I’d just try and do a simulation with the andro. I guess it sounded plausible, though, no? 

Anyway, to get a ‘1000fps’ faked effect, you can use these shots as a reference. Like say for the cereal shot, I shot myself with the open boxes, and moved very slowly, shooting at 23.98. I rendered that in sculptor, took it into AE 8.0, and applied the timewarp filter to slow it down to 25 percent. Timewarp draws new interpolation frames, to further smooth out my already slow-mo acting. Then, I used trapcode’s particular to create a stream of ‘cereal’ particles, and composited that into the shot, using masks and duplicate layers to hide the birthplace of the particular stream. Voila, simulated 1000fps. 

Also, a list of RED Video resources. and a Final Cut Workflow Overview

Contact:
Pamela Greenwalt, Screen Actors Guild
323-440-2892 Cell

Screen Actors Guild Continues to Negotiate
Members Continue to Work Past Contract Expiration

Los Angeles, June 30, 2008 – The Screen Actors Guild national negotiating committee has bargained with the AMPTP for the last 42 days and remains committed to negotiating a fair deal for actors as soon as possible.

The AMPTP today delivered a last-minute, 43-page offer that upon initial examination appears to be generally consistent with the AFTRA deal, particularly in its provisions relating to new media. The union is reviewing the complex package and will prepare a response to management once that analysis is complete.

The parties are scheduled to meet Wednesday, July 2, at 2:00 p.m.

“This offer does not appear to address some key issues important to actors. For example, the impact of foregoing residuals for all made-for-new-media productions is incalculable and would mean the beginning of the end of residuals,” said Screen Actors Guild National Executive Director and Chief Negotiator Doug Allen.

The Screen Actors Guild Codified Basic and Television Agreements covering television programs and motion pictures expire tonight at midnight. Work will continue and all SAG members should report to work and to audition for new work past the expiration date until further notice from the Guild.

Other Screen Actors Guild agreements, including the Commercials Contract, Basic Cable Live Action Agreement, Basic Cable Animation Agreement, Television Animation Agreement, Interactive Media Agreement, Internet Agreement, and Industrial Educational Contract are unaffected by the status of these negotiations, and members should continue to audition and work under them as usual.

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I have said it many times that since joining FXPHD over a year ago that it has been a HUGE plus for me and have made a bunch of friends and contacts. The classes are beyond high end and no one is doing anything near the level that FXPHD does . Being able to have contact with other industry pro’s is tremendous bonus . People have asked to just have access to the forums alone , that says something for the community, professors and staff at FXPHD. Do yourself a favor and check out the info on the main page and keep and eye out for the 0 week class which will probably be up in a week or so . 

July 08 term listing.   

I have been waiting a few months for this to come out while keeping tabs on the development stages of this customizable playback software.Tweak Software is releasing RV, the company’s first commercially available software package, announced Seth Rosenthal, founder and president. RV is a highly customizable cross-platform image and sequence viewer that is capable of playing back uncompressed film resolution clips. Free downloadable trial versions of the software are available upon request at Tweaksoftware.com

RV is a real-time, film resolution, high-dynamic-range image and sequence viewer for Windows, Mac OS X and Linux. The application can play back uncompressed film resolution sequences, and includes native support for stereo 3D. RV combines a flexible architecture and a hardware accelerated compositing pipeline with a lean, polished design tailored to professional digital artists.

Key Features of RV:

• Real-time playback for desktop, dailies and projection
• Customizable, extensible architecture
• Real-time hardware color correction
• High dynamic range, floating point image pipeline
• Advanced color management with support for OpenExr style linear-light scene-referred workflow
• Native stereoscopic 3D support
• RVIO—a stand alone batch image-processing tool to convert, conform, slate, color correct and composite image sequences
• Comparison, tiling, compositing and playback of any number of sources
• Multi-channel audio with real-time floating point re-sampling
• Open source session file format (with Python/C++ tools)

RV is the first application to be commercially released from Tweak Software. It was developed by artists, for artists, to handle the company’s own high-end VFX projects. Founders Jim Hourihan and Seth Rosenthal spun off Tweak Software from Tweak Films in 2007. Tweak Films earned a VES Award for work on the memorable New York tidal wave sequence in The Day After Tomorrow and a Hong Kong Film award for VFX on Hero. The company established a reputation for tackling R&D intensive projects and has developed several proprietary VFX tools since it was founded in 2001.“High-end shops typically rely on home-grown playback tools that are hard to replace because they are deeply entwined in artist workflows,” explained Rosenthal.

“RV is very customizable and that makes it the first effective replacement for those proprietary viewers. But more importantly, if your work is all about images, you should have a great image viewer. Jim has a long history of creating refined tools for artists, and he designed RV from the ground up to be the kind of tool we wanted to use ourselves. RV has spread quite quickly in its pre-release form just through word of mouth, and based on feedback from our early adopters, we are taking the right approach.”RV is coming to market in a release version 3.4, having undergone multiple generations of development for internal use at Tweak Films. To date, RV has benefited Tweak’s projects as well as projects for a select group of major effects facilities, including WETA Digital, which adopted a pre-release version in 2006. RV is currently available directly through Tweak Software Tweaksoftware.com at the price of $299 per node locked license and $369 per floating license.